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In Reply to: RE: Mahler 7th Finale. Soundtrack to Deliverance. nt posted by jdaniel@jps.net on November 03, 2020 at 16:57:36
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I've got only 3 and 5 from Gergiev's Mahler/LSO cycle. To get a 5-Ch incarnation of 7, I'd have to get the SACD (available at Amazon for $6.23 - actually not so bad!) or download the DSD-64 file from Native DSD. . . to the tune of $32.99. (No wonder I don't order from that site unless there's a sale going on!)
Chris, Gergiev's Mahler with LSO is uniformly terrible, and the Barbican acoustic doesn't help. There are much better 5.0 recordings of every single one of those symphonies.
Yes - the Barbican isn't great, and the SQ on the recordings is hardly state of the art. However, we were there at one of the concerts used for the Fifth, and what I hear on the SACD definitely matches what I heard in the hall. I would not characterize either the performances or the engineering as terrible. YMMV and all that.
I've listened to samples and I do like the way Gergiev's 7th opens: very heavy and dark, just the was I imagine it would sound if I wrote the music.We'll see if the spell he casts continues. I'm not very picky about much of the 7th apart from the 1st mov't "moonlight" music.
EDIT: The 8th was recorded in a church IIRC? I was hoping that the entire cycle was recorded outside the Barbican.
Edits: 11/04/20
I believe it was recorded in St. Paul's Cathedral.
. . . one of the Amazon posters claims that Gergiev in the last movement puts the pedal to the metal in the manner of the old Kondrashin/Concertgebouw recording. If that's true, I'd say, fasten your seat belt!
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