Home
AudioAsylum Trader
Tech Square

Technical and speculative discussion of amps, cables and other topics.

For Sale Ads

FAQ / News / Events

 

Use this form to submit comments directly to the Asylum moderators for this forum. We're particularly interested in truly outstanding posts that might be added to our FAQs.

You may also use this form to provide feedback or to call attention to messages that may be in violation of our content rules.

You must login to use this feature.

Inmate Login


Login to access features only available to registered Asylum Inmates.
    By default, logging in will set a session cookie that disappears when you close your browser. Clicking on the 'Remember my Moniker & Password' below will cause a permanent 'Login Cookie' to be set.

Moniker/Username:

The Name that you picked or by default, your email.
Forgot Moniker?

 
 

Examples "Rapper", "Bob W", "joe@aol.com".

Password:    

Forgot Password?

 Remember my Moniker & Password ( What's this?)

If you don't have an Asylum Account, you can create one by clicking Here.

Our privacy policy can be reviewed by clicking Here.

Inmate Comments

From:  
Your Email:  
Subject:  

Message Comments

   

Original Message

RE: The human ear has openings oriented forward and rather large

Posted by gymwear5@hotmail.com on March 26, 2009 at 11:16:13:

Well, recording technology is far beyond use of a few omni's If the goal is to pick up pressure variations in an acoustic space most accurately then a good omni is the way to go. However, in most recordings, even live venue recordings, the two voltage vectors (waveforms) that make up the left and right channels bare little to no resemblance to the pressure variations that appeared at your ears during the same performance - or even the signals from any of the instruments played. The recording engineer and or producer sit with a few to more than a couple dozen signals that were recorded from microphones and directly from electronic instruments placed at various locations in a hall and near the stage. Even signals recorded earlier or later (overdubs) are added to the mix. The sound produced is created in the production room, from the artistic compilations of these signals as listened to over the recording studio's monitor speakers (or a set of head phones).

It is only by the will and imagination of your mind that you get a "observation" of a live performance when reproduced over your mega buck cables and hi-fi equipment from this otherwise contrived pair of stereo voltage signals from these skilled recording engineers.