Music Lane

It's all about the music, dude! Sit down, relax and listen to some tunes.

Use this form to submit comments directly to the Asylum moderators for this forum. We're particularly interested in truly outstanding posts that might be added to our FAQs.
You may also use this form to provide feedback or to call attention to messages that may be in violation of our content rules.

You must login to use this feature.

Inmate Login

By default, logging in will set a session cookie that disappears when you close your browser. Clicking on the 'Remember my Moniker & Password' below will cause a permanent 'Login Cookie' to be set.

Moniker/Username: The Name that you picked or by default, your email. Forgot Moniker?	Examples "Rapper", "Bob W", "joe@aol.com".
Password:	Forgot Password?
	Remember my Moniker & Password ( What's this?)

If you don't have an Asylum Account, you can create one by clicking Here.

Our privacy policy can be reviewed by clicking Here.

Inmate Comments

From:
Your Email:
Subject:

Message Comments

Original Message

Teresa - EXPOSED FOR ALL TO SEE!!

Posted by krisjan on July 1, 2012 at 05:24:34:
(well, not in the sense that you were thinking :-) )

For years, Ms. Teresa has been railing against the RBCD format and how it makes violins sound harsh. NOW, we learn that she doesn't like the sound of real violins because they sound harsh! Not only that, she talks about "formerly" liking classical music. When did she stop liking such music? She continues to talk about it on other fora as if she is an expert (BTW, it's arco not argo - and you were told that several weeks ago in another thread).

So let me get this straight - live orchestral violins sound harsh; recordings of orchestral violins on RBCD sound harsh; ergo, the problem is with RBCD. Seems quite logical to me. Bwa ha ha ha ha ha!