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It's all about the music, dude! Sit down, relax and listen to some tunes.

Maybe he just wrote part of it and Wendling wrote the rest of it?

Kinda like the Symphony No. 37, K. 444 (where Mozart wrote the intro, and the rest was written by Michael Haydn).

It definitely will be interesting to hear. I guess we would expect this "new" work to sound like the other two flute concertos from that time. OTOH, the first two violin concertos, although written at approximately the same time as the next three, sound (at least to me) somewhat more primitive (if I can use that word) than concertos 3, 4 and 5, with their suave assurance, do.


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