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It's all about the music, dude! Sit down, relax and listen to some tunes.

I liked it, even the smaller scenes are so well-characterized, such as "Masks;" great sense of intrigue....

Maybe, just maybe, Juliet's Funeral could have used a bit more forward momentum, (though Audiophiles will be too busy delighting in the low brass of Juliet's Funeral to notice!), and the end of the scene doesn't have quite the cold horror it needs.

Juliet's Death is slightly slow as well, though I don't blame Petrenko for wanting to luxuriate in Prokofiev's soaring lyrical melodies.

An all around success as long as the listener is OK with Petrenko's avoidance of rubato in the Balcony Scene, the one place I would have preferred a more flexible approach, even if unrealistic for the ballet stage.


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