Home Music Lane

It's all about the music, dude! Sit down, relax and listen to some tunes.

It's an extraordinarily rich score.

I'm reminded of a story from my student days. My wife (then fiance) and I were perusing music at the Detroit Public Library when I came across a POCKET SCORE of the Rite. The pages couldn't have been taller than 6". This was not a reduction, but the full orchestral score. I opened to one of the more dense passages and found about 25 black streaks across the page, none of it was actually legible. I checked it out and shared a good laugh with some of my friends. This tiny little book was all but useless. They may as well have put the score on the head of a pin.

The sheer density of the score has deep implications for the myriad recordings that are out there. I don't think I've ever heard a recording of the Rite (I own 6 or 7 versions myself and have heard many others) that didn't give me some kind of fresh insight into the score. With virtually every new recording I hear, I notice some part or another that I didn't previously realize was there. I really can't say that about any other piece that comes to mind. Of course, the sheer number of recordings of the Rite has something to do with this. I'm sure lots of other modern works would yield the same kind of result if there were more recordings available for comparison. Pieces from earlier eras just don't have those kind of depths to be plumbed, no matter how great they may be. Sure tempos and overall approach may change, but you don't have notes jumping out at you that you just didn't hear before. So, I seem to manage to find something of value in just about every performance I've heard. The weakest ones I know are usually the oldest ones. I'm not sure if there are any pre-war recordings of the ROS that can be considered definitive. Some of the oldest I've heard are downright rickety. It was decades before the state of playing technique was truly up to the demands presented by the score.

As I mention downthread, the Dutoit/Montreal is quite good. After listening to the Boulez/Cleveland on YT yesterday, I think I need at least one more recording of this piece in my library. That one has many of the same virtues of the Dutoit, but with a bit more bite and, again, a few new (to me) surprises. Even in nasty lo-fi digital all of that came across quite clearly.

Enjoy your quest!

dh


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