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It's all about the music, dude! Sit down, relax and listen to some tunes.

"For the life of me, I CANNOT understand a criticism like this!"

Unfortunately, Chris, I can.

Let me be clear: since Sibelius is on my shortlist of favorite composers, BIS is a critically important presence in my music collection, and I view Robert von Bahr as a truly heroic figure. And of course I've been collecting the new Vanska/Minnesota cycle, with this last disc soon to be ordered.

Having said that, I can understand the criticism leveled by Musicweb International's reviewer. Especially with Vanska's recordings, I sometimes struggle to hear the lower dynamics. But this is due almost entirely to the compromised nature of my hearing, which makes the lowest part of the dynamic scale challenging to apprehend. And I'm not even sure I would accept the "genuine concert hall experience" claim, because I attend about 18-20 live orchestral concerts a year (on average) in various venues, and what I hear on some of Vanska's recordings is not what I hear in the concert hall. And oddly enough, it's also not what I hear in a lot of other BIS recordings, such as the recent discs out of Bergen. My guess? Vanska's approach to dynamics is like Celibidache's approach to tempi: let's see how close to the breaking point I can get this.

Your enthusiasm about the performances in view here causes me to anticipate my first listening, but I will reserve the right to be dissatisfied with the dynamics. Is that OK? And if Vanska's dynamics are too much for my bum hearing, well...there's always Ormandy!

Thanks for your post, and for addressing the two reviews. I guess it's one of those YMMV things.


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