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Anything you want to know about Celibidache?

I'm in the middle of a series of concerts (mostly private) with bassoonist Friedrich Edelmann and his wife, cellist Rebecca Rust. (A link to the announcement of our concert last Saturday is below.) Friedrich was the principal bassoonist in the Munich Philharmonic from 1977 to 2004 - that's a span which includes the entire time that Sergiu Celibidache was the conductor in Munich and also includes the five years when James Levine was the conductor there. (Unfortunately, he started just a year or two after Kempe's tenure in Munich.)

Anyway, both Friedrich and Rebecca speak in the most glowing terms about Celibidache - of course referring to him as "Celi". What they've said is consistent with other commentary I've read about Celibidache, e.g., that he really taught the orchestra to play beyond the notes (not that other conductors don't/didn't encourage that too - most of them anyway!), or that the orchestra's quality and ability to get to the core of the music improved markedly during his time there. Although I had some of the single CD releases in the EMI series of Celibidache/Munich recordings, I recently (on the basis of my meeting and performing with Friedrich and Rebecca) obtained the boxed set reissues which I'm working my way through now:



BTW, these sets (10-14 CD's in each set) are now VERY inexpensive through Amazon re-sellers. As stated in many reviews of this series, these recordings are variable, but, aside from some Sony videos, they're now our only record of Celibidache's music making as principal conductor in Munich, since he refused to make studio recordings. At their best, they're WAY on the edge of interpretive risk-taking (invariably on the slow side of things), but they can be wonderfully convincing (as I remember from a live performance I heard them give in SF of Bruckner's Fourth Symphony - Celibidache's (in)famous 85-minute romp through that work!). Another fun fact (which I've brought up in a couple of previous posts) is that Celibidache's performance of Debussy's "Nuages" is exacly twice as slow as Paray's! In the Brahms German Requiem, Celibidache manages even to out-slow Mr. Excitement (Giulini!) in every movement except one (where their timings are the same). Whatever you think about him, he was definitely a one-of-a-kind!

Also (per the subject of this post), if you have any questions for Friedrich about "Celi", I'd be glad to relay them for you.


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Topic - Anything you want to know about Celibidache? - Chris from Lafayette 16:13:22 02/21/14 (22)

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