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RE: Separating the person from the recordings

I too know many musicians--albeit not 2,500 plus, and live in the small musical world of New Orleans. The tight rope between being supportive while maintaining one's critical faculties is hard to negotiate. Now that my beard is grey I find it easier to say my piece; it is socially acceptable to be an old crank but never a young one. And a critical faculty is necessary for growth. I find myself wondering why many young musicians are doing what they are doing. I am happy to hear any of them have a clear answer, but even if they don't I think they need to see it as a valuable question. A straight up honest answer like "I take every gig I can get because I need to pay the rent" or even "This schtick is a bit of a hustle but it really gets over" offers a clarity well beyond playing just what they think is expected of them. As a listener, I want to hear people play music they have a deep personal connection too and not just making the changes or making the gig. No matter what the genre or form, if you don't make it your own I loose interest. As has been said many times, "All artist borrow, great artists steal."



Edits: 82/91/70

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  • RE: Separating the person from the recordings - belyin 10:31:51 01/20/22 (0)

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