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From Perotin to Prokofiev (and beyond), performed by Caruso to Khatia, it's all here.

Tragic that folks have been brainwashed by the group-think forces of the academe!

The HIPsters say stuff like: "Let's present a performance of the music as the composer would have known it! My response is, how arrogant and self-serving!

One Baroque composer I know of (Francesco Geminiani), who in his time was considered a "musical god" (according to BBC's Radio 3) and the equal of Corelli and Handel, wrote: "Vibrato is indispensable in violin playing." Paul Henry Lang used to quote this many times. In addition, another composer, Ludovico Zacconi (who flourished earlier - in the 1600's), said that vibrato "ought always to be used".

But today's academicians in university music departments prefer to ignore this evidence. And now the whole "vibrato bad!" HIP industry, which preys on the inexperience of many of its listeners, has been spreading like a contagion for decades.

If folks here are interested in further, detailed study of this issue (and I mean getting somewhat down in the weeds!), this linked overview by our friend David Hurwitz from Classics Today would be a much better starting point than the "scholarese" tripe one usually finds about the subject in JAMS (Journal of the American Musicological Society - which represents the "party line" orthodoxy of most American and Western European entrenched academics) and the like. Dave's study deals with the later eighteenth-century, rather than the earlier eighteenth-century, but his principles and reasoning are sound IMHO.


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