In Reply to: The Robison-Dadson Equal Loudness Curves address this issue. Nt posted by viridian on June 16, 2015 at 15:55:42:
at lower levels both highs and lows sound lower than they measure. I suspect, assuming a well recorded piece, that the correct balance would then be playing back at the level at the ears the mastering engineer heard at his ears as he did his job.
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Follow Ups
- RE: The Robison-Dadson Equal Loudness Curves address this issue. Nt - hahax@verizon.net 19:38:41 06/16/15 (4)
- Tip of the iceberg - Dave_K 06:33:03 06/17/15 (3)
- You're Partly Right - Inmate51 07:38:55 06/17/15 (2)
- That wans't really my point - Dave_K 10:50:54 06/17/15 (0)
- No such thing as levels "as the mastering engineer intended"? - genungo 08:18:47 06/17/15 (0)