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General audio topics that don't fit into specific categories.

I'll be happy to respond to your hit and run post

LOL. If you have zero multi-miked re4cordings, then wtf

Your speed reading is not working. Let's review what I actually posted:

I can't think of any single miked recordings in my collection.

You've got it bass ackwards. Here's a thought. Quote something I've actually posted and respond to that. I find zero value with debating your imagination.

I refer to the sound of ANY type of music.

So providing a natural perspective is somehow bad?

Assuming your talking about my own recordings (and aside from purely musical considerations), its to end up with sound as good as I can - that is also financially feasible.

Not in particular - oh I see you're a musician. Maybe the last part is the answer. Why bother putting together a quality product?

I think I've had some success in that, including my big band multi-miked/multi-tracked recordings, and so do the people who've reviewed 'em.

How many microphones did you use? Forty? Fifty? Sixty?

Gotta go, I'll have to reply later if you post more.

Thank you. Perhaps you might actually quote and respond to something I've posted.

You say that I didn't respond to some of your questions. Why? I have idea as to their relevance to the topic of why anyone needs a sixty track console. Here's an example:

Would you prefer that Sgt. Pepper had never happened?

Exactly what does that mean in context? You are probably aware that most of the George Martin mixes were done for mono and only later were they translated to stereo. Ping pongy at that. Whoever mixed Day Tripper was experiencing some good drugs at the time. As a teenager, I thought the effect was kinda cool, but hokey. How about Revolution Nine - where the lyrics "number" and "nine" ping pong across the stage? All of the Beatles recordings could "have happened" quite successfully without the cheesy effects. And I'm quite confident that George didn't have sixty channels.



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